There are few countries where food is an instrument of knowledge,communion and communication, as it is in italy. It is therefore not surprising that in the heart of Treviso stands a temple to tiramisù: Palazzo Barberia, an old building in which memory and modernity meet, that tells the story of the city. In its halls, one of the world’s best-loved desserts is celebrated in all its forms.
The project for the redevelopment of this site was carried out by Paolo Lucchetta + retail design studio, while the restoration project was supervised by Paolo Arveda. The search for a dialogue between historical memory and the modernity of the redevelopment was the guide for all the design choices, supported by the vision of an enlightened entrepreneur who believed in the generative possibilities of architecture.
The renaissance structure features a rich decorative system of frescoes on the one hand, and a material pauperism in the wood and brick construction, typical of the buildings of the Veneto region, on the other.
The sequence of floors in the building ideally follows the sequence of the public, social and private functions that each space fulfils.
The ground floor is dedicated to the display of artisanal products on large counters that have the feel of tradition but conceal sustainable technology. Above the entrance, between the light wooden beams, can be found da ma sospensione, an iconic chandelier that creates ever-changing light tricks with its infinite
Crystal lenses. A precious aesthetic that gives a nod to the past in terms of shape and materiality. Around it, a tracciameno frame with ecomini spotlights provides light to the room and the counter, behind which glasses, bottles and packages of fine coffee find their place on mensolona with integrated linear light.
The use of traccia sistema was the answer to many of the design challenges that the transformation of this building presented: in addition to accent and diffuse lighting to enhance the frescos, it made possible to bring electricity to every floor, and in particular the tracciameno proved to be the perfect support for wiring the sound system throughout the building. Being a listed historic building, in many spaces it was not possible to use walls and ceilings for the installation of light fittings and electrical sockets. This is why ticablo was selected, which makes it possible to exploit the level below the floor to carry cables wherever they are needed.
With small holes in the floor, it was therefore possible to install sockets and lighting solutions.
In the stairwell that crosses and joins the floors, a c2 with 13x8 was used to also works in an emergency.
The first floor is dedicated to the pleasure of tasting: the sociability that comes from sharing a meal is created under tracciameno tracks that exploit the texture of the original, richly decorated and skilfully preserved wooden beams, an example of how technology can, not only integrate into history, but enhance it. The warm tones of the finishes and furnishings chosen for these rooms blend harmoniously with the colours of the decorations and antique materials.
In the passageways, customised traccia sistema display structures have been created with integrated linear lighting. The remaining floors are for experimentation, for learning and for expanding the vision and experience through immersive multimedia spaces.
Viabizzuno ’s lighting design reflects all this: respect for memory and tradition through advanced, flexible and sustainable technological solutions.


da ma
Elegant and majestic, it was designed by Marionanni and David Chipperfield for Viabizzuno , from whom it takes its name. Originally conceived for the boutique of the fashion brand Valentino in via Montenapoleone in Milan designed by David Chipperfield Architects, it is now one of the most iconic lamps of the Viabizzuno collection. Biconcave lenses surrounded by a brass disc create suggestive reflections of light that embellish the surrounding space.
Its timeless design and its multiple versions make it a lighting solution that can enhance both the most intimate and the most convivial spaces.
IP20-rated suspension and ground light fitting for indoor use.
Made of calendered natural brass profiles with a 10x10mm section, cylindrical or elliptical in various sizes spaced by brass rings with a diameter of ø80mm with biconcave lenses.
Two 10x3mm section brass profiles are installed inside the light fitting to reate an electrified track to feed the n22 2700K Ra95 electronic sources with diffused light, complete with tige of different heights, supporting the transparent crystal diffuser to create suggestive lighting effects.
Models: da ma sospensione 18 lenses on 4 rows, diameter ø430mm h.330mm, 8x2,5W; da ma sospensione 32 lenses in 6 rows, diameter ø760mm h.490mm, 14x2,5W; da ma sospensione 66 lenses on 8 rows, diameter ø1520mm h.650mm, 32x2,5W; da ma sospensione 64 lenses on
4 rows, elliptical 2100x380mm h.330mm, 32x2,5W; da ma sospensione 60 lenses on 6 rows, elliptical 1760x760mm h.490mm, 32x2,5W; da ma terra 01 with steel base and square section support rod covered in leather, dimensions 640x425x2000mm, power 14x2,5W; da ma terra colonna with diameter ø430mm h.1930mm, 28x2,5W with potentiometer included; da ma table version with diameter ø430mm h.490mm, 10x2,5W with potentiometer included. The suspension versions are available with ceiling rose and power supplier integrated or with recessed ceiling rose or ceiling rose with remote power supplier, the suspension mounting kit is included.
220-240V 50-60Hz power supplier included, with 2000mm power cord for ground and column ground versions. Natural brass finish.
Lighting solution used also in the projects:
Palazzo Ancilotto, Crescent House

